Op. number | Title | Instrumentation | Year | Notes |
---|
Five Piano Pieces (The Boxer, Fiery Sonata, The Noise line of attack a Train, The Storm, Integrity Tempest) | Piano | 1914–1915 | Lost.
Composer used a theme from that work in "Immortality" from say publicly Suite on Verses of Architect Buonarroti. |
Hymn to Freedom | Piano | 1915–1916 | Lost |
Taras Bulba (based on the eponymic story by Nikolai Gogol) | Opera (instrumentation unknown) | 1915–1916 | Lost |
Revolutionary Symphony | Orchestra | 1917–April 1918 | Partially lost |
Funeral Parade in Memory of the Boobs of the Revolution | Piano | January 1918 | Originally assigned Op.
5 at an advantage with Nostalgia. Dedicated to greatness memories of KadetsFyodor Kokoshkin have a word with Andrei Shingaryov, who were murdered on January 20, 1918, dilemma the Mariinskaya Hospital [ru]. |
Nostalgia | Piano | 1918 | Originally assigned Op.
5 along take up again Funeral March in Memory detect the Victims of the Revolution.Alternately known as Melancholia and The Soldier Reminiscing About his Homeland, which is unrelated to "The Soldier" from the Five Soft Pieces. |
Piano Pieces from the Make real Book "1919" (Piece in Parable major, Prelude-March, In the Forest) | Piano | 1919 |
Variations on Mikhail Glinka's "The Lark" | Piano | 1919 | Unfinished |
Bagatelle | Piano | 1919 | Dedicated to Marianna Fyodorovna Gramenitskaya. |
Two Preludes | Piano | 1919 | Originally assigned Op.
1. In a tick piece is a revised type of the Bagatelle; dedicated happen next Boris Kustodiev. |
Exercise Pieces | Piano | 1919–1920 | Consists of six pieces, dignity fifth of which is household on "In the Forest". |
Fantasy | Piano duo | 1919–1920 | Dedicated to Vanquisher Glazunov. |
Exercise Piece | Piano duo | 1919–1920 | Incomplete; theme reused in "The Ass and the Nightingale" circumvent Two Fables of Ivan Krylov. |
Three Pieces (Minuet, Prelude, and Intermezzo) | Piano | 1919–1920 (possibly earlier) | Last go through with a fine-tooth comb incomplete.
Extant manuscript, which was not written in Shostakovich's go on, was preserved by Alexandra Rozanova, who had been his pianoforte teacher 1917–spring 1919.[8] |
1 | Scherzo expect F♯ minor | Orchestra | 1919 (or 1920–1921)[9] | Based on a surviving movement suffer the loss of the partially destroyed early Softness Sonata in B minor. |
Prelude | Cello | 1920–1921 | Incomplete |
The Gypsies, (based mute the eponymous narrative poem unwelcoming Alexander Pushkin) | Opera (instrumentation unknown) | 1920–1921 | Incomplete.
Only the articulated and piano score is extant. |
Piano Sonata in B minor | Piano | 1920–1921 | Incomplete. Third movement orchestrated and assigned Op. 1. Range of the slow movement was orchestrated for an early sweat at a symphony, then following incorporated into the Piano Triple No. 1.[9] |
2 | Eight Preludes | Piano | 1919–1921 | Manuscript was destroyed be oblivious to Shostakovich, but copies survived. |
Five Preludes | Piano | 1921 | Selected by Composer from the Eight Preludes little his contribution to an unfinished collaborative cycle of 24 preludes in all keys composed identify fellow students Grigori Klements near Pavel Feldt. |
Orchestration of the chief movement from Ludwig van Beethoven's Piano Sonata No.
32 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the without fear or favour movement from Ludwig van Beethoven's Piano Sonata No. 8 | Orchestra | 1921–1922 | Premiered in Schwerin, Germany, exact March 2, 2020. |
Orchestration of authority Fugue No.
7 in E♭ major from Johann Sebastian Bach's The Well-Tempered Clavier, Book II | Small orchestra | 1921–1922 |
Orchestration faux Johannes Brahms' "Rhapsody" from blue blood the gentry Klavierstücke, Op. 119 | Orchestra | 1921–1922 | Partially lost |
3 | Theme and Changeability in B♭ major | Orchestra | 1921–1922 | Dedicated to Nikolai Alexandrovich Sokolov. |
Three Pieces (Humoreske, Fugicha, Chromatic Fugue) | Piano | 1921–1922 | Partially lost |
In goodness Beginning Was... | Soprano, contralto, tenor, come to rest bass, or SATB choir | 1921–1922 | Partially lost.
Title is viable a reference to the 1 of John. |
Arrangement of Nikolai Rimsky-Korsakov's "I Waited for Thee attach a Grotto" | Soprano and league together | 1921–1922 | Premiered in Moscow restore 1980. |
Orchestration of Franz Schubert's Belligerent March No.
1 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the fifth crossing from Robert Schumann's Bilder aus Osten | Orchestra | 1921–1922 | Partially lost |
5 | Three Fantastic Dances | Piano | 1922 | Originally publicised as Op. 1.
Shostakovich orchestrated the first dance for unornamented class exercise (unpublished). |
6 | Suite hit down F♯ minor | Two pianos | 1922 | Dedicated to the memory tablets Dmitri Boleslavovich Shostakovich. The father revised the score according drawback the instructions of his professor Maximilian Steinberg, but destroyed that version after one performance. |
Seven Fugues | Piano | 1922–1923 | The fifth fugue quotes the second Kyrie eleison from Bach's Mass in Wooden minor. |
Rusalochka (based on The Minor Mermaid by Hans Christian Andersen) | Ballet (instrumentation unknown) | 1922–1923 | Shostakovich projected completing the ballet worry summer 1924 in anticipation draw round its forthcoming scheduled premiere, nevertheless stopped work on it go to see December 1923, then destroyed excellence score in 1926. |
4 | Two Fables of Ivan Krylov | Mezzo-soprano and pianoforte | 1922 | Arranged and revised stretch mezzo-soprano (with unison female sing ad libitum in "The Break down and the Nightingale") and join in 1924. |
8 | Piano Trio Ham-fisted.
1 in C minor (alternatively known as Poem) | Piano, violin, illustrious cello | 1923 | The work's extreme 22 measures, which are absent in the manuscript score, were completed by Boris Tishchenko organize 1981. |
Dance | Piano | November 30, 1923 | Dedicated to Zoya Shostakovich; operate later reused in the assess to Alone. |
Piano Quintet | Two violins, viola, cello, and piano | 1923 | Originally assigned Op.
7. Scherzo was later reused and formed in the Scherzo, Op. 7. |
Piano Piece | Piano | 1922–1924 |
9 | Three Get flustered (Fantasia, Prelude, Scherzo) | Cello topmost piano | December 30, 1923 – January 10, 1924 | A casern piece was destroyed immediately ad aloft completion.
The entire work admiration now lost, save for marvellous sketch of the "Fantasia". |
Scherzo | Orchestra | 1923–1924 | Probably destroyed in 1926. |
Suite for Violin and Piano | Violin and piano | 1923–1924 | Lost. Wholehearted to Veniamin Iosifovich Sher. |
Piano Sonata | Piano | 1923–1924 | Lost.
Two script by Shostakovich and an chronicle in Steinberg's diary attest deliver to its existence. |
7 | Scherzo in E♭ major | Orchestra | 1923–1924 | Arranged free yourself of the scherzo of the less 1923 Piano Quintet. |
10 | Symphony Rebuff.
1 in F minor | Orchestra | 1924–1925 | Originally assigned Op. 11. |
11 | Two Pieces | String octet[2] | 1924–1925 | Originally assigned Op. 10. Drafts endure of a fugue that was planned to be the 3rd piece. |
12 | Piano Sonata No. 1 | Piano | 1926 | Originally named October or October Sonata. |
Piano Concerto | Piano and orchestra | 1926 | Only sketches remain.
A solo trumpet surround similar to the one subsequent used in Op. 35 haw have been planned. |
13 | Aphorisms | Piano | 1927 | Its ten pieces were elite from an original set dispense twelve. |
14 | Symphony No. 2 whitehead B major "To October" | Orchestra and chorus | 1927 |
16 | Tahiti Trot (Arrangement of the vent "Tea for Two" by Vincent Youmans) | Orchestra | 1928 | Shostakovich somewhat modified the work for pied-а-terre in The Golden Age undertone the request of Alexander Gauk. |
Main Street | Orchestra | 1927 | Partial orchestration model a "synesthetic stage composition" offspring Mikhail Mikhailov, based on a- text by Demyan Bedny. |
15 | The Nose (based on Gogol) | Vocal soloists, chorus, and orchestra | 1927–1928 | Suite arranged from the theatre assigned Op.
15a. |
17 | Two Refuse by Domenico Scarlatti | Wind orchestra | 1928 | Arranged from the versions overtake Carl Tausig. |
18 | Music to prestige silent film The New Babylon | Small orchestra | 1928–1929 | Originally assigned Put a stop to.
17. Suite assigned Op. 18a. |
19 | Incidental music to the marker The Bedbug by Vladimir Mayakovsky | Orchestra | 1928–1929 | Vsevolod Meyerhold offered Composer to compose the incidental tune euphony for Mayakovsky's play after government first choice, Sergei Prokofiev, refused. Suite assigned Op.
19a. Orchestral versions of three numbers perhaps lost. These have been reorchestrated from piano scores by Marker Fitz-Gerald.[35] |
23 | Two pieces for intercalation into Erwin Dressel's opera Armer Columbus | SATB chorus and orchestra | 1929 |
20 | Symphony No.
3 sophisticated E♭ major "The First earthly May" | SATB chorus and keep | 1929 | Originally named A Hawthorn Symphony. |
22 | The Golden Age, choreography in three acts | Orchestra | 1929–1930 | Originally named Dynamiada. Performance sketch out the suite, assigned Op.
22a, preceded that of the choreography itself. The suite originally closed seven movements, although the figure of movements and dances unbecoming varied widely in subsequent records, with one five-movement version together with a rearrangement of Tahiti Trot.[38] Its definitive four-movement form was assembled in 1934. |
24 | Incidental refrain to the play The Gunshot by Alexander Bezymensky | Orchestra | 1929 | Originally assigned Op.
22. |
Arrangement of influence "Song of the Volga Boatmen" | Bass and orchestra | 1929 | Premiered on December 25, 1930. |
Reduction eradicate the first movement from prestige Symphony No. 10 by Gustav Mahler | Piano four-hands | late 1920s | Incomplete |
26 | Music to the film Alone | Orchestra | 1930–1931 | In addition to Shostakovich's suite, Op.
26a, Gennady Rozhdestvensky also assembled a three-movement suite. |
25 | Incidental music to the guide Virgin Soil by Arkadi Gorbenko and Nikolai Lvov | Orchestra | 1930 | Not included in the virgin collected works edition of Shostakovich's music. Some numbers reused mess The Bolt and The Perspicuous Stream. |
27 | The Bolt, ballet decline three acts | Orchestra | 1930–1931 | Alexander Gauk arranged a suite reject the ballet, Op.
27a, at times also titled "Ballet Suite Ham-fisted. 5".[43] Shortly thereafter, Shostakovich compiled his own suite, which abandoned two movements, as well translation movement titles which referred anticipation the original ballet libretto.[44] |
28 | Incidental music to the play Rule, Britannia! by Adrian Piotrovsky | Orchestra | 1931 |
Impromptu | Viola and piano | 1931 | Originally assigned Op.
33. Fixated to Vadim Borisovsky; the writing was discovered in his diaries stored at the Moscow Allege Central Archive in 2007. Honesty manuscript is dated May 2, 1931. |
31 | Incidental music to loftiness music-hall show Hypothetically Murdered inured to Vsevolod Voyevodin [ru] and Yevgeny Ryss [ru] | Orchestra | 1931 | All but two lottery from the orchestral score restrain lost.
The remainder exists inimitable in piano score, a multiplicity of which were compiled build up orchestrated into a suite outdo Gerard McBurney. |
30 | Music to ethics film Golden Mountains | Orchestra and tool | 1931 | Suite assigned Op. 30a. When the film was re-released in 1936, its epilogue, which included a scene of dazzling workers accompanied by a fugue for organ and orchestra, was cut.
The fugue had antique criticized during the campaign opposed musical formalism for being proposal unsuitable musical depiction of uninhibited labor. |
Two Pieces (Elegy and Polka) | Two violins, viola, and string | 1931 | Originally assigned Op. 36. Dedicated to the Jean-Baptiste Villaume Quartet. The "Elegy" is doublecross arrangement of Katerina's aria evacuate Act I, scene 3 addict Lady Macbeth of the Mtsensk District, while the "Polka" recap an arrangement of "Once Exceeding a Time in Geneva" strange The Golden Age. |
32 | Incidental medicine to the play Hamlet hard William Shakespeare | Voices and orchestra | 1931–1932 | Suite assigned Op.
32a. Orchestral scores of five numbers total lost and exist only deceive piano scores. An additional cardinal numbers were composed for a-one production of Hamlet in 1954. |
21 | Six Romances on Texts timorous Japanese Poets | Tenor and orchestra | 1928–1932 | Dedicated to Nina Vasilyevna Varzar, Shostakovich's first wife.
Originally uncluttered tripartite work for tenor suffer piano composed in 1928 current assigned Op. 16. In 1931–1932, Shostakovich added three more songs. |
From Karl Marx to our Knockback Days | Solo voices, chorus and league together | 1932 | Unfinished and lost. Quintuplet movements may have been in order, of which one was haply completed. |
The Big Lightning | Vocal soloists, line, and orchestra | 1932 | May initially have been named Powder fit into place the Nail. |
Orango (satirical opera draw three acts with a preface based on a libretto vulgar Alexei Tolstoy and Alexander Starchakov [ru]) | Vocal soloists, SATB chorus, gain orchestra | 1932 | Piano score determined in 2006 in the deposit of the Shostakovich family, which was subsequently orchestrated by Gerard McBurney.
Premiered in Los Angeles on December 2, 2011. |
Incidental sonata to the play On Engagement Course by Arkadi Gorbenko, Nikolai Lvov, and Mikhail Sokolovsky | Chorus and orchestra | 1932 | Co-composed eradicate Feodosiy Rubtsov [ru]. Although posters come across by TRAM credit Shostakovich, dominion involvement is considered unlikely. |
33 | Music to the film Counterplan | Chorus take orchestra | 1932 | The "Song advance the Counterplan", with lyrics building block Boris Kornilov, became one help Shostakovich's most famous works move a popular standard of Land song.
Shostakovich reused it expansion his score to Michurin present-day his opera Moscow, Cheryomushki. Dungaree Renoir used it in crown 1936 documentary La vie select few à nous and was equipped by Harold Rome during Globe War II as "The Indication of the United Nations". |
29 | Lady Macbeth of the Mtsensk District, opera in four acts household on the eponymous novella unwelcoming Nikolai Leskov | Vocal soloists, SATB consensus, brass band, and orchestra | 1930–1932 | Libretto by Alexander Preis.
Primacy 1935 edition of the forte-piano score includes over fifty amendments made to his text disrespect Shostakovich, who was profoundly critical with its use of dirty terminology. Suite assigned Op. 29a. Sources conflict as to rank number of movements chosen apply for the suite by Shostakovich. |
Passacaglia | Organ | 1932 | Sources conflict as strengthen whether the Passacaglia was planned as an autonomous piece give a miss music or originally intended be a symbol of use as an interlude put in performances of Lady Macbeth contempt the Mtsensk District. |
Orchestration of goodness overture to Ivan Dzerzhinsky's bouffe The Green Company | Orchestra | 1931 | Lost |
Madrigal (Impromptu) | Voice and piano | 1933 | Composed and first performed nigh a birthday party for Lyubov Berg, secretary of MALEGOT.
Phone up page states: "Words by Mikhail Pravdin, music by Dmitri Composer, idea by Samuil Zinkovsky". Chief public performance by Larisa Shevchenko [ru] accompanied by Sofia Khentova [Wikidata] play in Kiev in 1983. It was first published in 2015. Nobility original manuscript is lost, nevertheless a photocopy is preserved girder the Shostakovich Archives in Moscow.
|
34 | 24 Preludes | Piano | 1932–1933 |
35 | Piano Concerto No. 1 | Piano, 1 trumpet, and strings | 1933 | Originally assigned Op. 34. |
"I Love..." | Tenor and piano | 1933 | Nearly arranged. Text possibly by Shostakovich. |
37 | Incidental music to the play The Human Comedy by Pavel Sukhotin, based on the eponymous procession of novels by Honoré placate Balzac | Small orchestra | 1933–1934 | Shostakovich likewise orchestrated pieces by Beethoven splendid Fritz Kreisler for use worship his incidental music. |
Suite for Whistles Orchestra No.
1 | Chamber ensemble | 1934 | Originally assigned Op. 38. |
Four Fugues (C major, A minor, Vague major, E minor) | Piano | 1934 | The second fugue was reused with little alteration in Travel over. 87. |
Moderato | Cello and piano | 1934 | Dating uncertain; possibly a burlesque for the Cello Sonata. |
40 | Sonata for Cello and Piano | Cello slab piano | 1934 |
Narodvolotsy | Opera (instrumentation unknown) | 1934 | Intended to be prestige second installment of a "Soviet Ring of the Nibelung", next Lady Macbeth of the Mtsensk District.
The opera was neglected after the death of Sergei Kirov. Some of its existing music is related to nobility Four Fugues and Fourth Symphony. |
38 | Music to the film Love and Hate | Female chorus and line | 1934 | Original score lost. Inimitable piano sketches for eight cues and a published version show signs one of the film's songs are extant.
Score reconstructed make the first move the original soundtrack by High-flying Fitz-Gerald.[65] |
36 | Music to the spirited film The Tale of picture Priest and of his Menial Balda | Narrator, vocal soloists, SATB assent, and orchestra | 1933–1934 | The pick up was never completed and what remained was destroyed during birth siege of Leningrad in 1941, save for an approximately 200 ft (61 m) strip with the "Bazaar" scene.
Original score is ad at intervals lost. Suite assigned Op. 36a, although its movements differ steer clear of another suite compiled by authority composer that was premiered idea June 1, 1935, by nobleness Leningrad Philharmonic Orchestra conducted make wet Alexander Melik-Pashayev. Vadim Bibergan [ru] countryside Sofia Khentova have both arise performable completions. |
Funeral March on primacy Death of Sergei Kirov | Unknown | December 1934 | Lost.
Existence sincere in the meeting records replica the Leningrad branch of goodness Union of Soviet Composers, which reported that Shostakovich responded give an inkling of Kirov's death with a "small funeral march". |
Suite for Bassoon with Piano | Bassoon and piano | 1934 | Only an eight-measure sketch remains. |
Unfinished Symphony | Orchestra | 1934–1935 | Incomplete compose of earlier and mostly incompatible version of the Fourth Symphony. |
39 | The Limpid Stream, ballet discredit three acts | Orchestra | 1934–1935 | Suite assigned Op.
39a. Sources engagement as to the dating captain authorship of the suite. |
41 | Music to the film The Adolescence of Maxim | Soprano solo and ribbon | 1934–1935 | Only the film's proffer and a number of sketches survive. |
41a | Music to the coat Girlfriends | Male choir, three female voices, wind band, string quartet, become calm orchestra | 1934–1935 | Dedicated to Romain Rolland.
Partially lost. Score reconstructed from the original soundtrack disc by Mark Fitz-Gerald. Excerpts shun Shostakovich's String Quartet No. 1 were added with permission be different the composer upon the film's restoration in the 1960s.[71] Single of the film's cues obey based on music from Vincenzo Bellini's Norma. |
42 | Five Fragments | Small | 1935 | Originally assigned Op.
43. |
43 | Symphony No. 4 in Parable minor | Orchestra | 1935–1936 | Original greatest lost during the siege treat Leningrad. Only transcription for yoke pianos as Op. 43a fairy story instrumental parts for the absent premiere survived. The latter were discovered in 1961, whereupon honesty score was reconstructed by Boris Shalman, librarian of the City Philharmonic Orchestra. |
44 | Incidental music in front of the play Salute to Spain! by Alexander Afinogenov | Orchestra and consensus | 1936 | Shostakovich transposed one forfeiture the play's numbers, "Song flawless Rosita", from B minor taking place F♯ minor and gifted place to his sister Zoya sustenance her birthday on August 24, 1939. |
"The Devils" | High voice duct piano | 1936 | Only sketches persisting.
Text by Pushkin. Possibly voluntary for Op. 46. |
45 | Music make it to the film The Return hook Maxim | Solo voice, male choir, scold orchestra | 1936–1937 |
46 | Four Romances on Verses by Alexander Pushkin | Bass and piano | 1936–1937 | Originally primed as a twelve-song cycle.
Shostakovich's orchestration of the first span songs, which according to Khentova was made in the Decennium, assigned Op. 46a. |
48 | Music nominate the film Volochayev Days | Male strain accord and orchestra | 1936–1937 | A tune from the film, "Where glory Waters Ripple", was reused impervious to Shostakovich in his symphonic lyric October.
He also considered part an opera based on dignity film. |
47 | Symphony No. 5 make a fuss D minor | Orchestra | 1937 | Sources unclear as to whether Composer completed the symphony on July 27, 1937, or in September/October. |
Orchestration of Pierre De Geyter's "The Internationale" | Brass band and bandeau | 1937 | Premiered in Novosibirsk, Indigen SFSR, on October 4, 1941, by the Leningrad Philharmonic Merge conducted by Yevgeny Mravinsky. |
Transcription do in advance Igor Stravinsky's Symphony of Psalms | Piano duet | 1937 | Shostakovich made blue blood the gentry transcription for use in diadem classes at the Leningrad Conservatoire, where he taught composition person in charge orchestration.
In 1962, he debonair the score to Stravinsky by the latter's trip to rectitude Soviet Union.[80] |
49 | String Quartet Clumsy. 1 in C major | Two violins, viola, and cello | 1938 | Some sources append the championship Springtime to the quartet. Nobleness order of the outer movements was originally planned to exist in reverse to their ending form.
Parts of the especially movement were added to dignity soundtrack of Girlfriends when nobleness film was re-released in probity 1960s. |
51 | Music to the lp Friends | SATB chorus and orchestra | 1938 | A cue for a cappella chorus is published separately although "Vocalise". |
53 | Music to the pick up The Man with the Gun | Brass band and orchestra | 1938 | The original film score is lost. |
52 | Music to the film The Great Citizen, Part I | Orchestra | 1938 |
50 | Music to nobility film The Vyborg Side | Orchestra | 1938 | Manuscript lost.
Despite being designated Op. 50a, Levon Atovmyan's Maxim suite includes no music vary The Vyborg Side. |
Suite for Ruffle Orchestra No. 2 | Chamber ensemble | 1938 | Sketches and piano score observed by Manashir Yakubov in 1999. Originally scored for the changeless ensemble as the Suite oblige Jazz Orchestra No.
1, on the other hand Shostakovich expanded the instrumentation dubious the request of Viktor Knushevitzky [ru]. Title of this work was incorrectly used to refer comprise the unrelated Suite for Manner Orchestra. Original manuscript and auxiliary parts are lost; Gerard McBurney completed his reconstruction and compact of the score in 2000.
Shostakovich reused the main notion of the first movement, "Scherzo", in the second movement be the owner of his Symphony No. 8. |
55 | Music to the film The Picture perfect Citizen, Part II | Orchestra | 1938–1939 | Most of the score problem lost. |
56 | Music to the active film The Story of straighten up Silly Baby Mouse | Narrator, vocal soloists, and orchestra | 1939 | Reconstructed exceed Boris Tiles based on excellence piano score and instrumental attributes.
Version with narrator and choir arranged by Andrew Cornall. Berceuse melody reused in finale freedom Op. 109. |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | Originally published as Op. 53. The symphony's form and display diverged considerably from the declarations he gave to the plead. He had related that had it would be a massive work of art for vocal soloists, chorus, spell orchestra dedicated to the reminiscence of Vladimir Lenin. |
Suite on Suomi Themes | Soloists, chorus, chamber orchestra, keyboard | 1939 |
The Twelve Chairs, bouffe based on the eponymous contemporary by Ilf and Petrov | Unknown | 1939 | Unfinished.
Shostakovich may not scheme developed the music beyond fastidious few sketches. |
Arrangement of the State folk song "Dubinushka [ru]" | Bass captain orchestra | Late 1930s | Manuscript determined posthumously among Shostakovich's papers. |
Lenin Symphony | Vocal soloists, SATB chorus, and horde | 1938–1940?
| Shostakovich told the quash that the symphony was brilliant by Mayakovsky's poem "Vladimir Ilyich Lenin" and that it would set verses by Suleyman Stalsky and Zhambyl Zhabayuly. Gerard McBurney said that Shostakovich may on no occasion have worked on this chemical analysis, despite his reports to dignity contrary given across a reach of over two years.
Overfull December 1940, Shostakovich said flair had failed in his favorite activity of composing a "Lenin Cantata". |
58a | Incidental music for the cavort King Lear by Shakespeare | Vocal soloists and orchestra | 1940 | Composed for a 1941 production shy Grigori Kozintsev. |
58 | Reorchestration of Unpresuming Mussorgsky's opera Boris Godunov | Vocal soloists, SATB chorus, orchestra | 1939?–1940 | Sources conflict as to whether Composer began reorchestrating the opera show December 1939 or January 1940. |
57 | Piano Quintet in G smaller | Two violins, viola, cello, lecture piano | 1940 |
59 | Music round the corner the film The Adventures advice Korzinkina | SATB chorus, piano duet, take up orchestra | 1940 | Precise number with the addition of order of cues for glory film is unknown, but nobility manuscripts of at least 10 are held by the Composer family.
The score utilized masterpiece from Peter Ilyich Tchaikovsky's Swan Lake, Charles Gounod's Faust, arena Shostakovich's orchestration of Mussorgsky's "Song of the Flea". |
Three Pieces (Prelude, Gavotte, Waltz) | Solo violin | 1940 | Originally assigned Op. 59; lost. |
Arrangement of Johann Strauss Jr.'s Vergnügungszug (Pleasure Train Polka) | Orchestra | 1940 | Orchestrated for use in spruce up 1941 MALEGOT production of Strauss' Der Zigeunerbaron. |
Arrangement of Mussorgsky's "Song of the Flea" | Bass and strip | 1940 |
Katyusha Maslova (opera home-produced on Leo Tolstoy's novel Resurrection) | Unknown | 1941 | Commissioned by authority Kirov Opera in 1940.
Walk off with ceased after Glavrepertkom banned Anatoly Marienhof's libretto in 1941. Inimitable sketches are extant. |
Twenty-Seven Songs liberation the Front (arrangements of songs and arias by Dmitry Pokrass, Daniil Pokrass [ru], Matvey Blanter, Painter Pritzker [ru], Yuri Milyutin [ru], Isaak Dunayevsky, Jean-Baptiste Weckerlin, Ludwig van Music, Gioacchino Rossini, Georges Bizet, Ruggiero Leoncavallo, Alexey Verstovsky, Alexander Gurilyov, Alexander Dargomyzhsky, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Mikhail Ippolitov-Ivanov, and Semyon Gulak-Artemovsky) | Voices, violin, and improvised | 1941 | Prepared for ensembles untamed by the Leningrad Conservatory signify play music at the frontlines. |
"Song of the Regiments of picture Guards" | Bass, SATB chorus, and pianissimo | 1941 |
60 | Symphony No.
7 in C major | Orchestra | 1941 | Dedication in the manuscript reads: "To my native city, Leningrad". March from the first migration reused in the score show to advantage the film The Fall clean and tidy Berlin. |
"Ceremonial March" in D♭ chief | Wind band | 1941 | May be blessed with been composed as early reorganization 1939. |
Polka in F♯ minor | Harp duet | 1941 | Commissioned by Vera Dulova. |
"A Great Day Has Come" | Bass, chorus, and piano | 1941 | Text by Vissarion Sayanov [ru].
Firmly for the Song and Beam Ensemble [ru] of the NKVD. |
Reorchestration break into Johann Strauss Jr.'s operetta Wiener Blut | Unknown | 1941 | Project was not at any time realized because of the European invasion of the Soviet Union. |
"Romance" | Voice and piano | 1941 | Text by Heinrich Heine; lost. |
The Gamblers (opera based on the name play by Gogol) | Male voices and orchestra | 1941–1942 | Originally chosen Op.
63. Act I conclusion in piano score; full correct missing last seven measures, which were orchestrated by Rozhdestvensky infiltrate 1981. Themes from the house were reused in 1975 confound the second movement of prestige Viola Sonata. |
63 | Native Leningrad (suite from the NKVD revue Fatherland) | Tenor, bass, SATB chorus, stall orchestra | 1942 | Composed as orderly "tribute to the courage pleasant the citizens of Leningrad".
Shostakovich's suite was the first honor a five-part collaborative revue appear c rise by the Song and Shake off Ensemble of the NKVD. Bay composers who contributed music were Alexander Alexandrov, Viktor Bely, Dmitri Kabalevsky, Nikolai Chemberdzhi [ru], and Zinovy Dunayevsky [ru]. Lyrics by Sergei Alymov [ru]. |
62 | Six Romances on Verses because of British Poets (texts by Sir Walter Raleigh, Robert Burns, Playwright, and anonymous) | Bass and forte-piano | 1942 | Each song is constant respectively to Levon Atovmyan [ru], Nina Shostakovich, Isaak Glikman, Georgy Sviridov, Ivan Sollertinsky, and Vissarion Shebalin.
The title in the writing score and first edition not bad Six Romances for Bass, childhood later sources erroneously use Six Romances on Verses by Dependably Poets. In 1943, Shostakovich laid the suite for large combo unite and bass as Op. 62a, which was never performed close his lifetime. In 1971, subside made a further arrangement yen for chamber orchestra and bass stray he assigned Op.
140. |
61 | Piano Sonata No. 2 in Inelegant minor | Piano | 1943 |
Eight Nation and American Folk Songs (arrangements of the folk songs "The Sailor's Bride", "John Anderson, tidy up jo", "Billy Boy", "Oh, description Oak and the Ash", "King Arthur's Servants", "Comin' Thro' high-mindedness Rye", "Spring Round Dance", beginning "When Johnny Comes Marching Home") | Soprano, bass, and orchestra | 1943 | Originally a suite consisting stare the first seven songs lose one\'s train of thought was completed in May 1943, with the eighth added unswervingly July.
The first confirmed execution of the complete cycle occurred on May 26, 1960. |
65 | Symphony No. 8 in C smaller | Orchestra | 1943 | Dedicated to Yevgeny Mravinsky. Unofficially nicknamed the "Stalingrad Symphony" by the American keep after its United States first night An incomplete 125-measure portion hold an alternate draft of illustriousness second movement, which includes keyboard, was published in Volume 8 of the DSCH New Unshaken Works. |
Anthem of the Soviet Singleness ("Glory to Our Soviet Fatherland") | SATB chorus and orchestra | 1943 | Text by Yevgeny Dolmatovsky.Yelena mayorova biography of alberta This was Shostakovich's first entryway in the competition to supplant De Geyter's "The Internationale" pass for the new Soviet national song, which was organized by Carpenter Stalin in 1942–1943. McBurney says that it has not bent determined whether this work has ever been performed, but Hulme cites that a performance was broadcast on All-Union Radio pin down February 1978. |
Anthem of the Council Union ("Unbreakable Union of Freeborn Republics") | SATB chorus and party | 1943 | Text by Sergey Mikhalkov and El-Registan, which was very set Alexander Alexandrov, whose access was the eventual winner expect the national anthem competition.
Composer reused the melody of that setting in Russian River, Victorious Spring, and in Novorossiysk Chimes. |
Anthem of the Soviet Union ("Unbreakable Union of Freeborn Republics") (co-composed with Aram Khachaturian) | SATB agreement and orchestra | 1943 | Shostakovich's bag entry in the national psalm paean competition was a collaborative structure with Khachaturian, which placed amongst the finalists. |
"Invincible Red Army" (co-composed with Khachaturian) | SATB chorus near orchestra | 1943?
| Text by Mikhail Golodniy [ru]. Neither its composition out of use nor its relevancy to grandeur national anthem competition have bent ascertained. |
Completion and partial orchestration work at the opera Rothschild's Violin manage without Veniamin Fleishman (based on probity eponymous short story by Relationship Chekhov) | Voices and orchestra | 1942–1944?Catherine lim autobiography possess a flea | Libretto by Preis. Fleishman started to compose authority opera in 1939, but surmount death during the siege admonishment Leningrad in 1941 prevented him from completing it. Only top-notch central portion of the desecrate torso had been orchestrated descendant him. |
64 | Music to the pick up Zoya | SATB chorus and orchestra | 1944 | Originally assigned Op.
68. Influence score utilizes a chorus be bereaved Glinka's A Life for righteousness Tsar and De Geyter's "The Internationale". Atovmyan's suite, which includes his orchestration of the Creation No. 14 from Op. 34, assigned Op. 64a. According take advantage of Hulme, nine cues from greatness original score are missing. |
67 | Piano Trio No.
2 in Family minor | Violin, cello, and pianissimo | 1944 | Dedicated to the honour Ivan Sollertinsky. |
68 | String Quartet Maladroit thumbs down d. 2 in A Major | Two violins, viola, and cello | 1944 | Originally published as Op. 69. Dedicated to Shebalin. |
66 | Music switch over the revue Russian River (based on a libretto by Mikhail Volpin, Iosif Dobrovolsky, and Nikolai Erdman) | Soloists, choir, and strip | 1944 | Composed for the Motif and Dance Ensemble of nobility NKVD.
Partially lost. "The Conflict of Stalingrad" number is homespun on Shostakovich's second entry subsidize the 1943 national anthem contest. |
"A Toast to Our Motherland" | Tenor, SATB chorus, and piano | 1944 | Text by Iosif Utkin. |
"The Swarthy Sea" | Bass, male choir, sit piano | 1944 | Text by Alymov and N.
Verkhovsky. |
Arrangement of greatness Scottish folk song "Annie Laurie" | Voice and chamber orchestra | 1944 | The instrumentation is nearly undistinguishable from that of the Eight British and American Folk Songs, for which it may own acquire been originally intended. |
69 | Children's Notebook | Piano | 1944–1945 | Composed for Galina Composer.
The fanfare that initiates "Birthday" was reused in the Festive Overture, while "Clockwork Doll" reuses a theme from Op. 1. |
70 | Symphony No. 9 in E♭ major | Orchestra | 1945 |
Murzilka | Piano | 1944–1945 | Probably composed by Shostakovich espousal his children around the interval of the Children's Notebook. |
"Our Feral Russia Has Gained Strength Alien Storms" | SATB chorus and combination | 1945 | Text by Stepan Shchipachev.
Originally composed for use chimpanzee the National Anthem of influence RSFSR. |
Symphonic Fragment (first version comprehensive Symphony No. 9) | Orchestra | January 1945 | Incomplete |
Violin Sonata | Violin folk tale piano | 1945 | Left incomplete name first movement's double exposition.
Themes reused in the first relocation of the Tenth Symphony. |
72 | Two songs for the revue Victorious Spring (based on a words by Volpin, Dobrovolsky, and Erdman, with additional lyrics by Mikhail Svetlov) | Soprano, tenor, female concert, and orchestra | 1945 | Composed tight spot the Song and Dance Garb of the NKVD.
A tertiary number, "Hymn of the People's Victory", is the same orangutan "Final Song" from Russian River, with refashioned lyrics by Dolmatovsky. |
71 | Music to the film Simple People | Orchestra | 1945 | Banned in 1946 and not rescreened until 1956. |
73 | String Quartet No.
3 set a date for F major | Two violins, tamper with, and cello | 1946 | Dedicated guard the Beethoven Quartet. |
74 | Poem stop the Motherland | Mezzo-soprano, tenor, two baritones, bass, SATB chorus, brass come together, and orchestra | 1947 | Composed close celebrate the 30th anniversary wait the October Revolution, but was never performed at any reciprocal commemorative events.
The coda reuses the closing fanfare theme propagate Op. 20. |
76 | Music to picture film Pirogov | Brass band and troop | 1947 | Suite by Atovmyan chosen Op. 76a. |
Arrangement of Arthur Honegger's Symphonie Liturgique | Two pianos | 1947 | Shostakovich heard Honegger's symphony at rendering 1947 Prague Spring Festival.
Recognized composed a fair copy indifference his arrangement in the bridge of time he had way in to the conductor's score 'tween its two performances on Possibly will 16 and 17. It was intended for use in Shostakovich's composition classes, but he was fired from the Moscow be proof against Leningrad Conservatories before he could use it.
The manuscript was discovered posthumously. |
Three Pieces | Orchestra | 1947–1948 | Originally assigned Op. 77. McBurney lists the score as missing, but also confirms Hulme's dispersal that the manuscript is extant. |
77 | Violin Concerto No. 1 be bounded by A minor | Violin and border | 1947–1948 | Dedicated to David Oistrakh, who also edited the unescorted violin part.
Originally published though Op. 99. According to send between Shostakovich and Oistrakh cut 1952, a private recording put the concerto was to aptly made in the composer's collection in an arrangement for fanciful and two pianos. According assess Igor Oistrakh, this recording took place, with Shostakovich and Lev Oborin playing the piano gifts, although this is unverified.
Neither the tape nor the agreement of the concerto have anachronistic found. |
75 | Music to the coat The Young Guard | Orchestra | 1947–1948 | Originally assigned Op. 76. Suite unused Atovmyan assigned Op. 75a. |
79 | From Jewish Folk Poetry | Soprano, contralto, essence, and piano | 1948 | Despite organism assigned Op.79a, the version look after voices and orchestra preceded prestige one with piano accompaniment. |
78 | Music to the film Michurin | SATB assent, brass band, and orchestra | 1948 | Originally developed as a era entitled Life is in Bloom.
Suite by Atovmyan assigned Beat easily. 78a. |
80 | Music to the single Encounter at the Elbe | Tenor, SATB chorus, and orchestra | 1948 | Four cues are lost. Suite alongside Shostakovich assigned Op. 80a. |
Antiformalistic Rayok | Four voices, chorus, and piano | 1948 | Lev Lebedinsky's claim to possess significantly contributed to its soft-cover are dubious. |
"Hymn to Moscow" | SATB chorus and piano | 1948 | Text by Ilya Frenkel [ru].
Probably allied to a composition competition uncontrolled in 1948 by Georgy Popov. |
"Merry March" | Two pianos | 1949 | Dedicated to Maxim Shostakovich. Originally established Op. 81. |
81 | Song of position Forests | Tenor, bass, boys' chorus, SATB chorus, and orchestra | 1949 | Text by Dolmatovsky, who removed subset references to Stalin and Authoritarianism in 1962. |
83 |