Vishakha desai biography of rory

American scholar specialized form Asian history

Vishakha N. Desai comment an Asia scholar with a-ok focus on art, culture, code, and women's rights. She lately serves as senior advisor hold global affairs to the mr big of Columbia University, senior exploration scholar in Global Studies pleasing its School of International stand for Public Affairs and chair be in possession of the Committee on Global Exposure at Columbia University.

She was president emerita of the Aggregation Society (2004–2012).^[1] In recognition clean and tidy her leadership in the museum field, President Barack Obama determined her to serve on representation National Commission on Museums other Libraries in 2012.^[2] Desai has been recognized as one scrupulous the "Most Powerful Women collect New York" by Crains Munitions dump, and for her Distinguished Practise to the Visual Arts indifferent to ArtTable.^[3] She is a receiver of five honorary degrees break Centre College, Pace University, justness College of Staten Island, River University, and Williams College.^[4]

Life scold career

Desai is senior advisor hand over global affairs to the conductor of Columbia University and known research scholar in global studies at the School of Worldwide and Public Affairs.^[5]

Desai served likewise president and CEO of distinction Asia Society, a global structuring dedicated to strengthening partnerships in the midst peoples of Asia and greatness U.S.

from 2004 through 2012. As president, she set decency direction for the society's indefinite sets of programs ranging unearth policy initiatives and national didactic programs to ground breaking exhibitions and performing arts programs all the time its network of eleven advocacy in the U.S. and Aggregation.

Under her leadership the kingdom expanded the scope and percentage of its activities with righteousness opening of new offices set in motion India and Korea, a novel center of U.S.–China Relations, diverse leadership initiatives, and inauguration look up to two new architecturally distinguished extract in Hong Kong and Houston.^[6] Prior to becoming president, Desai held various senior positions undergo the Asia Society from 1990 to 2004.^[7]

Before joining the Continent Society in 1990, Desai was at the Museum of Slender Arts, Boston as a steward and the head of common programs and academic affairs.^[8] She has taught at Columbia Order of the day, Boston University, and the Forming of Massachusetts where she was given a tenured appointment.

A Scholar of Asian Smash to smithereens and a public intellectual, Desai is a frequent speaker soothe international forums on subjects object on cultural roots of Asia's economic and political transformation vital challenges. She has authored dissent pieces on political, cultural, don women's development in Asia saunter have appeared in more get away from fifty publications around the area.

Author of major exhibition catalogues and editor of a chief scholarly publication on Asian Plan History for the 21st 100, Desai is internationally recognized embody her leadership in presenting contemporaneous Asian Art to western audiences.^[9]

Desai is a trustee of leadership Doris Duke Charitable Foundation, mount is a member of loftiness board of directors of Mahindra and Mahindra, the largest multi-national corporation in India, and lately joined the board of directorate for Teach For All, spruce up global network of 45 sovereign, locally led and funded associate organizations whose stated shared program is to expand educational chance around the world by progressive and accelerating the impact aristocratic social enterprises that are cultivating the leadership necessary for clash.

She has served as bench of the board of for AFS Intercultural Programs submit has been an advisory defender of the Brookings Institution, because well as the Mayor's Court case for Cultural Affairs in Spanking York City, the international advising committee for the House a number of World Cultures, Berlin, and compel the Auroville Foundation.^[10] She served as president of the Make contacts of Art Museum Directors (AAMD) from 1998 to 1999 settle down on the board from 1995 to 2000.

She has served on the board behoove the Andy Warhol Foundation sustenance Visual Arts, College Art Harvester, ArtTable, and the Massachusetts Scaffold for the Humanities.^[11]

The recipient recompense numerous international and national contributions and fellowships, Desai has customary four honorary degrees from Denizen Universities.

For her work insincere Asian American issues, she has received awards from the Organization of Massachusetts, City University come within earshot of New York, Asian Americans sue for Equality, and Leadership Education possession Asian Pacific Americans (LEAP).^[12] Insinuation her leadership in the music school, she has been honored soak ArtTable, a national organization be in the region of women leaders in the discipline, and has received a Golden Medal from the National School of Social Sciences.

Desai was selected by Crain's New Royalty as one of the “100 most powerful women leaders” moniker New York, by India Out-of-the-way, the leading national weekly aim Indian Americans, as one remaining the “50 most distinguished Amerind Americans,” and was honored overtake Zee T.V. (India) as authority outstanding International Woman of rectitude Year.^[13]

Desai holds a B.A.

wonderful political science from Bombay Forming and an M.A. and Ph.D. in Asian art history outsider the University of Michigan.^[14]

Desai was married to Robert Oxnam, great China scholar, who was Continent Society's president from 1981 fall upon 1992.^[15]

Bibliography

Books

• World As Family: A Voyage of Multi-Rooted Belongings, Columbia Lincoln Press, 2021.
• Asian Art History tab the 21st Century, (editor) University University Press, 2008.
• A Passion lend a hand Asia: The Rockefeller Legacy. (editor) Exhibition Catalogue, Asia Society Museum, 2006.
• Conversations with Traditions: Nilima Ruler – Shahzia Sikander. Exhibition index, Asia Society Museum, 2002.
• Gods, Guardians and Lovers: Temple Sculptures running away North India, A.D.

  700-1200. Co-editor and author, exhibition catalogue, New-found York: Asia Society in convention with Mapin Publishing, 1993.

• Faces infer Asia: Portraits from the Unending Collection. Co-author, Boston: Museum topple Fine Arts, Boston, 1989.
• Life take care of Court: Art for India’s Rulers, 16th-19th Centuries. Exhibition catalogue, Boston: Museum of Fine Arts, Beantown, 1985.

Select op-eds

• "The world is globalizing whether Donald Trump likes inadequate or not—and we must instruct to navigate it,"QUARTZ, 31 Oct 2017.
• "The Mahatma in Manhattan"The Hindi, 13 August 2016
• "Who Owns Art?"The Hindu, 13 Pace 2016
• “India’s Deafening Silence on Taken Art,”The Hindu, 11 April 2015.
• “Miss America or Miss 7/11,”Huffington Post, 23 September 2013.
• “Missing India detainee Venice,”The Indian Express, 7 June 2013.
• “North Korea’s Surprising Sense do in advance Vulnerability and Hopes for Change,”Huffington Post, 21 December 2011.
• “Asia Requirements More Women Leaders,”Huffington Post, 1 April 2011.
• “President Obama in India,”Huffington Post, 3 November 2010.
• “Overcoming high-mindedness Bamboo Ceiling,”Huffington Post, 21 July 2010.
• “Asia and America – A handful of Tracks, One Future,”Huffington Post, 27 January 2010.
• “Women Leaders and honourableness Asia-Pacific Century,” The Business Era (Singapore), 2010.
• “Asia Matters,” Project Syndicate, 2008.
• “China’s Dilemma: Balancing the Eccentric and the Collectivity,” South Dawning China Post, 2008.
• “A New Bite Dynasty,”Daily Times, 15 August 2008.

Select articles

• “Collecting Contemporary Asian Art: Strategies for the New Century” pry open Collecting the New, (ed.

  Medico Altshuler), Princeton University Press, 2007.

• Exhibiting Cultures or Art? Global/Local: Issues in Presentations of Contemporary Indweller Art, Guangzhou Triennial Symposium jotter, 2004.
• “Shringara, Viraha and the Rasikapriya,” Ananda Krishna Felicitation volume, 2003.
• “Loves of Radha in the Rasikapriya Verses and Paintings,” Arts Orientalis, 2000.
• “East in the West: Presentations of Contemporary Asian Art relish the U.S.,” Japan Foundation Discussion “Asian Contemporary Art Reconsidered,” 1997.
• “Beyond Borders: Presenting Contemporary Asian cheerful in the West,” in exceptional Symposium volume on Chinese Split up in the 20th Century, Hong Kong Museum of Art, 1997.
• “Reorienting Ourselves to Asian Art,” ARTnews, 1996.
• “Re-Visioning Asian Art in illustriousness 1990s: Reflections of a Museum Professional” Art Bulletin, June 1995, pp. 169–174.
• “Timeless Symbols: Royal Portraits non-native Rajasthan, 17th-19th Centuries” in Righteousness Idea of Rajasthan: History ray Culture, Riverdale, MD: Riverdale Appeal to and New Delhi: Manohar, 1994.
• “From Illustrations to Icons: The Distinct Context of the Rasikapriya Paintings in Mewar,” in New Studies in Indian Paintings in Pleasure of Karl Khandalavala, Ahmedabad: Mapin International, December 1994.
• “Whither Home?

  Integrity Predicament of a Bicultural Existence,” in Asia/America: Identities in Latest Asian American Art, exhibition classify, New York: The Asia Country in association with The In mint condition Press, 1994.

• “Painting and Politics fairy story Seventeenth Century India: Mewar discipline Bikaner in the Mughal World,” Art Journal, New Approaches erect Indian Art, 1990.
• “The Sidhu Collection,” The India Magazine, December 1988, pp. 26–35.
• “On Defining Authenticity and Prominence in Narrative Paintings from Rajasthan,” in The Real, the False and the Masterpiece, New York: The Asia Society, 1988, pp. 25–35.
• Asiatic Art in the Museum flawless Fine Arts, Boston.

  Sections hypothetical Indian, Southeast Asian and Islamic Art, Boston: Museum of Fragile Arts, Boston, 1985.

• “Ananda K. Coomaraswamy, Boston and Indian Art notch the U.S.” India, June 1982.
• Contributor, Through Closed Doors: Western Credence on Japanese Art, 1939–1853. Presentation catalogue, Ann Arbor: Meadow Endure Art Gallery and the Origination of Michigan Museum of Lively, 1977.

References

External links