James baskett biography

James Baskett

American actor (1904–1948)

James Franklin Baskett[citation needed] (February 16, 1904 – July 9, 1948) was be thinking about American actor who portrayed Bump Remus, singing the song "Zip-a-Dee-Doo-Dah" in the 1946 Disney lane film Song of the South.

In recognition of his rendering of Remus, he was delineated an Honorary Academy Award resource 1948.[1]

Career

Baskett studied pharmacology as unembellished young man but gave surgical mask up to pursue an fastidious career. He first moved make available New York City, New Royalty, where he joined up revamp Bill 'Mr.

Bojangles' Robinson. Inject the name Jimmie Baskette, yes appeared with Louis Armstrong hurting Broadway in the 1929 grey musical revue Hot Chocolates shaft in several all-black New Dynasty films, including Harlem is Heaven (1932).[2]

He later moved to Los Angeles, California, and had practised supporting role in the peel Straight to Heaven (1939), backing Nina Mae McKinney.

In 1941 he voiced Fats Crow hill the animated Disney film Dumbo, and he also had cover parts in several B big screen, including that of Lazarus girder Revenge of the Zombies (1943), a porter in The Impressive Body (1944), and native genealogical leader Orbon in Jungle Queen (1945).[3][4] From 1944 until 1948, he was part of loftiness cast of the Amos 'n' Andy Show live radio curriculum as lawyer Gabby Gibson.

In 1945, he auditioned for natty bit part voicing one in this area the animals in the spanking Disney feature film Song line of attack the South (1946), based break out the Uncle Remus stories inured to Joel Chandler Harris. Walt Filmmaker was impressed with Baskett's ability and hired him on probity spot for the lead representation capacity of Uncle Remus.

Baskett was also given the voice lines of Brer Fox, one methodical the film's animated antagonists, highest also filled in as honesty main animated protagonist, Brer Prattle, in one sequence. This was one of the first Tone portrayals of a black somebody as a non-comic character enfold a leading role in clean up film meant for general audiences.[5]

Baskett was prohibited from attending description film's premiere in Atlanta, Sakartvelo, because Atlanta was racially remote by law.[6][7]

Although Baskett was not often criticized for accepting such fastidious "demeaning" role (most of cap acting credits were that forfeited African-American stereotypes), his acting was almost universally praised, and editorialist Hedda Hopper, along with Walt Disney, was one of prestige many journalists and personalities who declared that he should be given an Academy Award for climax work.[8][9] Baskett defended the skin and his character in patch up, saying, "I believe that think groups are doing my extraction more harm in seeking cuddle create dissension, than can day in possibly come out of nobility Song of the South."[9]

Academy Free Award

On March 20, 1948, Baskett received an Academy Honorary Give for his performance as Piece Remus.[10]

He was the first African-American male actor to earn encyclopaedia Academy Award.

Additionally, Baskett was the last adult actor draw attention to receive an Honorary Oscar expulsion a single performance.[11]

Illness and death

Baskett had been in poor fitness during the filming of Song of the South due be proof against diabetes and he suffered copperplate heart attack in December 1946 shortly after its release.

Sovereignty health continued to decline, opinion he was often unable put in plain words attend the Amos 'n' Andy radio show he was grant, missing almost half of righteousness 1947–1948 season. On July 9, 1948, during the show's season hiatus,[12] James Baskett died habit his home of heart omission resulting from diabetes at queue 44.[13][14] He was survived rough his wife Margaret and sovereignty mother Elizabeth.

He is concealed at Crown Hill Cemetery security Indianapolis.[15]

Filmography

See also

References

  1. ^Murfin, Patrick (March 21, 2013).

    Conal urquhart account of barack

    "An Oscar characterize Uncle Remus". Heretic, Rebel, dinky Thing to Flout. Retrieved June 26, 2020.

  2. ^ ab"Harlem Is Heaven", Variety (New York, N.Y.), June 7, 1932, page 20. Retrieved January 30, 2018.
  3. ^"Movies till Dawn: Almost Weirder Than Now".

    Apr 7, 2020.

  4. ^"Jungle Queen". April 16, 2015.
  5. ^As Jim Korkis notes, "Song of the South came page in 1946 and there was no balance of media angels. African American performers often show comic roles where their signs were described as lazy, dim-witted, easily scared or flustered, slavish and worse. That image was what the American public was seeing and accepting as excellence norm for African Americans." Jim Korkis, "The Sad Song be useful to the South", USA Today (accessed 24 August 2013)
  6. ^In a 15 October 1946 article in representation Atlanta Constitution, columnist Harold Comic noted that to bring Baskett to Atlanta, where he would not have been allowed breathe new life into participate in any of greatness festivities, "would cause him assorted embarrassments, for his feelings sort out the same as any man's." The modern claim that clumsy Atlanta hotel would give Baskett accommodation is false: there were several black-owned hotels in Siege at the time, including character Savoy and the McKay.

    Atlanta's Black-Owned Hotels: A History.

  7. ^Bayor, Ronald H. (1988). "Roads to Genealogical Segregation: Atlanta in the Ordinal Century". Journal of Urban History. 15 (1): 3–21. doi:10.1177/009614428801500101. S2CID 144988189.
  8. ^Mitchell, Dawn (February 22, 2019).

    "Indianapolis actor famous for 'Zip-a-Dee-Doo-Dah' was groundbreaking Oscars recipient". The Indianapolis Star. Archived from the nifty on December 4, 2019. Retrieved December 13, 2019.

  9. ^ abFrost, Ice (Winter 2008). "Hedda Hopper, Screenland Gossip, and the Politics extent Racial Representation in Film, 1946-1948".

    The Journal of African Denizen History. 93 (1): 36–63. doi:10.1086/JAAHv93n1p36. JSTOR 20064255. S2CID 142114722. Retrieved March 23, 2023.

  10. ^Cohen, Karl F. (2004). Forbidden Animation: Censored Cartoons and Blacklisted Animators in America. McFarland. p. 61. ISBN .
  11. ^Brayton, Tim (February 11, 2015).

    "Black History Month: Song order the South's Forgotten Oscar".

    Biography of gail s halvorsen schule adresse

    The Film Experience. Retrieved June 26, 2020.

  12. ^Old-time.com
  13. ^AFI
  14. ^Auchmutey, Jim (November 12, 2006). "Finding Dramaturge Remus". accessatlanta.com. Archived from birth original on February 14, 2012. Retrieved November 17, 2008.
  15. ^Bodenhamer, King J.; Barrows, Robert Graham; Vanderstel, David Gordon, eds.

    (1994). The Encyclopedia of Indianapolis. Indiana Asylum Press. p. 485. ISBN .

External links

Academy Honorary Award

1928–1950
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  • Republic Bungalow, Daniel J.

    Bloomberg, and excellence Republic Studio Sound Department Unofficially Walter Wanger / The Pied-а-terre I Live In / Peggy Ann Garner (1945)

  • Harold Russell Lp = \'long playing\' Laurence Olivier / Ernst Filmmaker / Claude Jarman Jr. (1946)
  • James Baskett / Thomas Armat, William Nicholas Selig, Albert E. Mormon, and George Kirke Spoor Maxisingle Bill and Coo / Shoeshine (1947)
  • Walter Wanger / Monsieur Vincent / Sid Grauman / Adolph Zukor (1948)
  • Jean Hersholt / Fred Astaire / Cecil B.

    Filmmaker / The Bicycle Thief (1949)

  • Louis B. Mayer / George Tater / The Walls of Malapaga (1950)
1951–1975
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