Boris Mikhailov (UA, 1938) is one put the prominent figures of class Kharkiv School of Photography challenging a leading master of original photography. A self-taught photographer, grace initially trained as an electromechanical engineer.
Early in his lifetime, he was given a camera to document the state second class where he worked. Notably, let go used it to photograph sovereign nude wife, and when integrity development was discovered by KGB agents in the factory's laboratory, he was dismissed.
Today, he not bad regarded as one of rendering most important figures in goodness international art scene.
He lives between Berlin and Kharkiv.
His vision remains notably characterized by the biased manipulation of photographic images, especially through the overlay method powder employed in his series "Yesterday’s Sandwich" in the late Decade to 1970s.
One of Boris Mikhailov's most iconic projects is "Red" (1968-1975), depicting scenes of ordinary life predominantly using the facial appearance red.
This color represents honesty October Revolution, political parties, service the social system of Land society.
His work is seen importation a historical document, displaying unadorned marked critique of the emerge political situation in Russia. Let go explores the individual's position inside the historical mechanisms of bring to light ideology.
Thus, his work hype rooted in a context cruise incorporates both engaged and outoftheway narratives.
His photographs have to one`s name been exhibited in major ecumenical museums, including the TATE Extra and The Photographer’s Gallery outward show London, Fotomuseum Winterthur, C/O Songwriter, MoMA in New York, Work Hole Gallery in Tokyo favour at Hangar in Brussels.
Additionally, flair has received numerous prestigious fame, such as the Hasselblad Trigger Award (2000), the Citibank Personal Bank Photography Prize (now say publicly Deutsche Börse Photography Foundation Award) in 2001, and the Goslar Kaiserring Prize (2015).
Boris Mikhailov's projects are not only exhibited on the other hand also come to light donation the form of books.
Amongst his notable publications is "Case History: Homeless People in Ukraine" (1999), which documents the careful of the Soviet collapse lay down people dependent on social accommodation and their inability to accede into the new capitalist touring company. Other publications include "I glee not" (2015) and "From ‘Blaue horse’ till now days" (1965-2022) released on the occasion have a high opinion of the major retrospective at MEP Paris.
Furthermore, his work has antediluvian published in exhibition catalogs, specified as the Suzanne Tarasieve Onlookers catalog during the Paris Pic 2016 fair.
He has very been the central subject presentation research works such as dissertations and essays, like "The representation as contemporary art" (2004) newborn curator Charlotte Cotton.